In the realm of music, the year 1968 was a remarkable period, with a plethora of iconic songs that continue to resonate with audiences decades later. While the top spot on the charts was fiercely competitive, the runner-up positions were equally significant, showcasing the diverse and influential nature of the era's music. Here's a closer look at four songs that reached the coveted No. 2 spot in 1968 and have since become timeless classics.
The Soulful Appeal of 'Cry Like a Baby'
The Box Tops, a band with a strong R&B foundation, aimed for something a bit different with their 1968 single 'Cry Like a Baby'. The song's soulful quality and the powerful vocals of Alex Chilton, the band's lead singer, were a significant draw. Chilton's distinctive voice, combined with the songwriting prowess of Dan Penn and Spooner Oldham, created a track that was both gritty and psychedelic. The electric sitar, a rare instrument in mainstream pop at the time, added a layer of experimental sound, making 'Cry Like a Baby' a standout hit. Despite not reaching the top spot, the song's enduring appeal has solidified its place in music history, often being cited as one of the era's best.
Drama and Range in 'MacArthur Park'
Richard Harris, known for his stage and screen performances in musicals like Camelot, decided to venture into the pop music scene with the help of up-and-coming songwriter Jimmy Webb. 'MacArthur Park' was a dramatic, multi-movement composition, showcasing Harris' vocal range and Webb's songwriting talent. The song's excessive range and challenging melody, particularly in the final notes, added to its dramatic effect. While Harris' pop career didn't sustain long-term success, 'MacArthur Park' became a defining track for both artists. Webb's songwriting prowess, evident in this song, solidified his place as one of the era's best, influencing generations of musicians.
The Birth of a Metal Anthem
'Born to Be Wild' by Steppenwolf is a song that defies its initial ballad form. Written by Mars Bonfire, a member of the Canadian band connected to Steppenwolf through his brother, the drummer, the song was initially a slower, more melodic piece. However, the band wisely revved up the pace, transforming it into an outlaw anthem. The song's heavy metal influence, despite its blues rock roots, is evident in the phrase 'heavy metal thunder' belted out by lead singer John Kay. The outstanding guitar work of Michael Monarch further enhanced the song's appeal, making it a defining track in the evolution of heavy metal.
A Crystalline Voice for 'Those Were the Days'
The Beatles' Apple record label had a knack for discovering talent, and Mary Hopkin was a prime example. With the help of Paul McCartney, who produced her debut single 'Those Were the Days', Hopkin's crystalline voice and the English lyrics of a Russian folk song created a unique and successful blend. Despite being just a teenager, Hopkin's world-weary melancholy in the lyrics resonated with audiences worldwide. The song topped the charts in most countries, except the US, and solidified Hopkin's place in music history. Her success paved the way for a promising career, proving that age is just a number in the music industry.
These four songs, each with their unique characteristics and influences, showcase the incredible diversity of 1968's music scene. While they didn't reach the top spot, their lasting impact and cultural significance are undeniable, proving that sometimes, the runner-up positions can be just as memorable and influential as the winners.
